Cadogan Hall · London
24 Nov 2026
Photo Marta Miklińska Polish bass-baritone
Mozart and character roles on the stages of the Netherlands, France and Germany.
“Very beautiful, rich, and resonant voice”
Forum Opera · La traviata, Opéra national du Rhin
01Calendar
Cadogan Hall · London
24 Nov 2026
Musikfest Bremen, Oldenburg
30 Aug 2026
Longhope Opera, England
Jul 2026
Opéra national du Rhin
Jan–Feb 2026
02The artist
Polish bass-baritone Michał Karski, a graduate of the Dutch National Opera Academy under the guidance of Hanneke de Wit and a recent member of the Opera Studio at the Opéra National du Rhin.
He performed in the Netherlands as Frank (Die Fledermaus), Achilla (Cleopatra e Cesare), Le Baron (Cendrillon), Puppet Maker (Postcard from Morocco), Guglielmo (Così Fan Tutte), Papageno (Die Zauberflöte) and Colline (La Bohème) at the Theater Carré with Nederlandse Reisoper and in France as Dottore (La Traviata), Mr Bellomy (Fantasticks), Third Robber (Les Trois Brigands), Third Judge (Das Wunder der Heliane), First Man (Sweeney Todd) for the Opéra National du Rhin and Zuniga (Carmen) at the Strasbourg Philharmonique. In the 2025/26 season Karski made his debut at Amsterdam's Concertgebouw in Le nozze di Figaro as Bartolo with the Orchestra of the Eighteenth Century.
Other highlights of his career include concerts with the Residentie Orkest (a Mozart Gala conducted by Felix Bender), Haydn's Nelson Mass and Mozart's Great Mass in Grote Kerk Alkmaar, as well as Franz von Suppé's Requiem for the International Vocal Competition in 's-Hertogenbosch. He also took part in the concert performances of L'Elisir d'Amore (Dulcamara) and Don Giovanni (Leporello) conducted by Gary Matthewman at the St. Paul's Cathedral in London. In July 2026, he returned to the role of Don Alfonso in Così fan tutte at the Longhope Opera Festival in England.
At the start of the 2026/27 season, in August 2026, Karski made his German debut at the Musikfest Bremen with the Orchestra of the Eighteenth Century in L'Isola disabitata as Enrico.
“Not only he is musically exceptionally well, he also steals the show when acting”
Opera MagazineDie Zauberflöte, DNOA
“Very beautiful, rich, and resonant voice”
Forum OperaLa traviata, Opéra national du Rhin
“A full, warm voice that resonated deeply”
De Nieuwe MuzeLe nozze di Figaro, Orchestra 18c.
“Karski's vocal production was solid, confident, and inherently masculine”
OperaWireL'isola disabitata, Musikfest Bremen 2026
04Watch & listen
Arias and productions
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Production
Production
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Production
05On stage
20 roles
06Archive